A few days
ago I hopped on the phone with a friend who was in the thick of auditions for
drama school. She’d been mulling over the idea of going to grad school when she
called. “I want something to do,” she told me.
Like most
actors she was frustrated with the lack of opportunities to work more and as a
result had come to the conclusion, however flawed, that drama school would be a
kind of antidote to her creative malaise.
“That’s not
a good enough reason to go,” I told her.
For those on
the fence about whether investing 3 or 4 years of your life is the right call
here’s my take on whether or not grad school is a good idea.
What
graduate school will do is push you beyond what you think you’re capable of.
You’ll be stretched to limits that only like-minded colleagues could inspire
you to reach. There is something compelling about a group of people working
collectively to share the human condition and a deeply personal part of their
own humanity. It’s enthralling, inspiring, and you miss it profoundly when it’s
gone.
You will
also learn the fundamentals of being a skilled storyteller. The tools to stand
on a stage and truthfully speak the words of Shakespeare, Odets, and Brecht is
not for the dilettante or dabbler. Like any honorable craft acting takes commitment and an almost unreasonable sense of fortitude.
Perhaps most
importantly, you’ll learn the art of collaboration. Specifically, the ability
to work with other artists whose vision may or may not be in harmony with your own.
True artistry evolves from infusing those very differences into the work.
Creativity works because of, not in spite of, diverse world views.
But grad school
will not necessarily land you a top agent, help you book more work, or mitigate
that void that many artists search a lifetime to fill. It is not an alternative
to solitude, confusion, or lack of community.
You invest
the time, energy, and resources because you’re driven to get better, to be
stretched, and perhaps discover a little more about why you feel the need to do
what you do.
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